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Memory Bank | Katie Ione Craney

November 13, 2024 Karinna Gomez

Katie Ione Craney, waiting, 5 x 7 inches; seed song II, 3 1/2 x 2 1/2 inches; “stay” (in braille), 3 1/2 x 5 inches

NOVEMBER 2024
SOUTH GALLERY
Memory Bank | Katie Ione Craney

This series is a reflection on my slow move from Southeast to the Interior; a process over 10 years in the making when I first started grad school and am now back to finish a degree in the Arctic & Northern Studies program. Within many of the images are words and phrases written in Braille. Some words repeat as meditations on their meaning and are in conversation with the place they are paired with. Incorporating Braille and mirrored surfaces into my work echoes a sensory experience of the lands and beings in the imagery. I’ve been learning to write in Braille as a communication attempt with my Great Grandmother Mary Etta, who was blind, as well as create space to consider many ways of knowing and being in relationship with a place or a person.

The handwritten Braille in this series is a letter-for-letter transcription, also known as Grade 1 Braille. The letters are written backwards, as I use a portable slate and a hand stylus to press the letters onto the page, or in this case, onto clear transparencies or into soft metal.

katieionecraney.com


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Photographs by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags South Gallery, photography, mixed media, landscape, glaciers, installation, Fairbanks artists
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Resilient: Defining Alaskans through Landscape | Jason Lazarus

November 13, 2024 Karinna Gomez

Jason Lazarus, Rivulets of Gold, Castner Glacier, archival pigment print on Canson Baryta Photographique

NOVEMBER 2024
NORTH GALLERY
Resilient: Defining Alaskans through Landscape | Jason Lazarus

Alaska.

Towering glaciers, noble peaks, enchanting flora and plentiful fauna — all of these have been rendered in the idyllic perfection of a trillion photographs over the years.

Captured in the silver grains and digital pixels that shape our collective memories, these representations often fall short of truly conveying what Alaska is — they fail to define what Alaska means to Alaskans.

Shaped by their surroundings, Alaskans are a curious bunch, often taking pride in character traits that, to the outsider, seem unflattering. Old timers take pride in their tenacious and stubborn nature by being called Sourdoughs, while Cheechako newcomers are harshly mocked for their failures, yet strangely encouraged to persevere.

Our jargon-laden existence divides real Alaska (The Bush) from a more pedestrian lifestyle in the Lower 48 (the contiguous US). Our Breakup relates to a fifth season before Spring and Termination Dust signals the onset of winter.

Summed up in one word, Alaskans are Resilient. A product of our harsh climes, we have been shaped by our surroundings and carry with us a stoic nature that is reflected in the place we call home. For many of its people, Alaska’s lonely landscapes, unwelcoming frigid tundra and tumultuous winter weather reflects its true beauty in a way no sublimely captured landscape could. This work intends to capture that deep connection and our unwavering character traits through our surroundings, showing a rarified Alaska for Alaskans.

obscura-works.com


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Photographs by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags North Gallery, photography, landscape, Fairbanks artists
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Unfrozen | Erica Miller

October 12, 2024 Karinna Gomez

Erica Miller, FE Co. Dredge No. 4, acrylic and mixed media on cradled wood, 6 x 6 inches

OCTOBER 2024
SOUTH GALLERY
Unfrozen | Erica Miller


This is a love letter to the great land. After the gold has been extracted and the trees harvested; what remains of industry, the grand machinery of human endeavor, ambition and toil, sinks into the gentle embrace of earth. So prevalent in Alaska, the rusting iron of the past is beautiful somehow. Wrecked and abandoned now, it seems to belong, becoming a part of the forgiving landscape, a witness to the passage of time. It is a story of history and decay, of nature's reclaiming force, accepting the encroachment of age on all things.

ericamillerart.com


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Photography by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags South Gallery, painting, mixed media, Hope artists, landscape, built environment
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Listening to the Quiet | Cheryl Lyon

October 12, 2024 Karinna Gomez

Cheryl Lyon, Exact Spot, encaustic on wood panel, 12 x 12 inches

OCTOBER 2024
CENTER GALLERY
Listening to the Quiet | Cheryl Lyon

Listening to the quiet is about noticing what I notice when I venture outdoors through the Alaska seasons. Taking in the beautiful complexities before me. Paying attention to the light as it gracefully skips across the water or shines through the clouds.  Listening to the wind as it whispers through the trees, and gently moves around my face. As the poet Mary Oliver said about nature, “If you notice anything, it leads you to notice more and more”. I agree, I long ago embraced, I’m always painting, even when I’m not painting. I’m an observer, an explorer and an eternal student.

cheryllyon.com


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Photography by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags Center Gallery, painting, encaustic, Anchorage artists, landscape
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Alaska: My Take | Elizabeth Pohjola

October 12, 2024 Karinna Gomez

Elizabeth Pohjola, Sitka Roses, mixed media, 36 x 36 inches

OCTOBER 2024
NORTH GALLERY
Alaska: My Take | Elizabeth Pohjola


A few years ago I walked into a paper store in Seattle and haven’t been the same since. I was seduced. This show of works in collage represents the products of that seduction. The images are based on elements from my homeplace, a place that has mesmerized me with its splendor my whole life. Alaska: My Take. Please enjoy!

Instagram @elizabethpohjola


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Photography by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags North Gallery, painting, Anchorage artists, landscape, wildlife
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Arctic Phoenix and the Quest for the Sublime | Joshua Demain

April 16, 2024 Karinna Gomez

Joshua Demain, Play Place (detail), oil on copper, 12 x 18 inches

APRIL 2024
NORTH GALLERY
Arctic Phoenix and the Quest for the Sublime | Joshua Demain

My artwork navigates scenes I encounter from everyday life in Alaska. Ranging from magnificent sunset cityscapes to glorious natural landscapes, these paintings reflect the inherent grandeur of local Alaskan scenery. My goal is to convey the message that beauty is everywhere, and often where we least expect it.

ephemeralgrandeur.com


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Virtual Exhibition Tour

In Exhibitions Tags Anchorage artists, painting, oil, landscape, North Gallery
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Woolen Forest: Huggable Alaska | Kayo Bogdan

April 18, 2023 Karinna Gomez

Kayo Bogdan, Birch II (detail), fiber

APRIL 2023
SOUTH GALLERY
Woolen Forest: Huggable Alaska | Kayo Bogdan


The theme of the exhibition is an Alaskan forest. I aim to create a forest scene that many Alaskans feel close to their hearts by using yarns as media. I want the viewers to enjoy the squishy feel of fiber art and discover how versatile yarns can be and how simple stitches can create rich textures. You are invited to touch gently and feel the textures of my pieces.

roomwithshrooms.com


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Virtual Exhibition Tour

In Exhibitions Tags South Gallery, Anchorage artists, Alaska artists, fiber art, landscape, trees, forest
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Caddis | Carolyn Gove

April 18, 2023 Karinna Gomez

Carolyn Gove, Caddis Colony at Turnagain Arm, photo by Jim Gove

APRIL 2023
NORTH GALLERY
Caddis | Carolyn Gove


Nest, shell, cocoon, seedpod, gall, leaf bud; there are many forms in nature that perform the function of sheltering a lifeform through a fragile stage of growth. The caddisfly larva spins a silken retreat and gathers fragments from its environment and makes a case to protect its vulnerable body. Caddis is the metaphor I use for concepts of transformation, sequestration, and growth.

This exhibit brings into the gallery sculptures that are at home in the woods or on the shore. They are not alive, but suggest life processes. Photographs provide glimpses of their habitat.

What I learn through the act of collecting and experimenting with native plants is as much a part of the art as is the meditative knotting of the armature, and the weaving of the casing.

The viewer completes the circle, bringing their own experiences and responses to interpret the forms; and hopefully, leaving inspired with renewed curiosity.


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Virtual Exhibition Tour

In Exhibitions Tags North Gallery, sculpture, Anchorage artists, Alaska artists, landscape
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Recent Work | John Coyne

February 13, 2023 Karinna Gomez

John Coyne, September, 2022, oil on canvas, 24 x 36 inches

FEBRUARY 2023
SOUTH GALLERY
Recent Work | John Coyne


The numinous happens all around us, from the ever changing cloud formations to the play of light on treetops. Anywhere from the seemingly mundane streets in my neighborhood or the shoreline of Point Woronzof, from Anchorage parking lots at sunset to the landscapes of Central America there is transcendence. As an artist I keep my eye open for latent beauty wherever it may occur.

johncoyneartist.com


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Virtual Exhibition Tour

In Exhibitions Tags South Gallery, painting, oil, landscape, Anchorage artists, Anchorage
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The Site of Landscape | Rachel Mulvihill

May 23, 2022 Karinna Gomez

Rachel Mulvihill, Driveway, acrylic on canvas, 24 x 30 inches

MAY 2022
NORTH GALLERY
The Site of Landscape | Rachel Mulvihill


Rachel Mulvihill (she/her) is a landscape painter of Unangan heritage born in Fairbanks, Alaska. As an artist who represents place, her interest and approach is formed by her upbringing in Fairbanks the homeland and traditional territories of the lower Tanana Dene Peoples where she continues to live and work.

Artist Statement
These paintings are not about trees. These paintings are about sight. They are about seeing and what we see when we look at landscape. They are also about where we stand when we look at landscape—the site. How is a landscape framed? How is nature framed by landscape? These trees are out of place: rooted in Fairbanks and here today in Anchorage, on the land of the Eklutna Dena’ina people. Are these “Alaskan” landscapes? My motivations as a painter stem from the complexities of this landscape.

Landscape has/is a history of naturalizing erasures, revisions, and constructed perspectives. Not only does landscape orient and produce it’s viewer but it also can transform the land itself. When I think about landscape I think about stepping back—a perspective of distance and framing from outside a space. Hito Steyerl has suggested that this metaphor could now been more accurately described as a falling backwards. Steyerl describes a “deteritorialized freedom” as a product of vertical perspective. The boundaries that describe spaces disappear as our perspective becomes untethered from a stable horizon and ground. Does untethered perspective do more to reveal or obscure the entanglements that complicate the landscape?

What can the positioning of landscape reveal about its relationship to place? I thought I was painting a referendum of the vertical perspective but I wonder if these paintings are an example of it (or an example of how difficult it can be to be grounded). They are untethered landscapes. Their site is both specific—to Fairbanks, to my experience—but also moving and transforming. Is landscape what I observe, is it the photograph that I take into my painting studio, or is it here, framed by this gallery space?

If being grounded is not always comfortable then it might be easier to experience place at a distance or through a frame. Being grounded is a metaphor for a state of mind as well as a lived experience of place. Being grounded can also be a way of understanding, acknowledging, and caring for the place where I am. There are myriad literal and imaginative ways to be elsewhere. For many people, including myself, being or becoming grounded may be/will be uncomfortable. In these paintings I wanted to look behind the metaphor of a groundless position.

www.rachelmulvihill.com


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Virtual Exhibition Tour

In Exhibitions Tags Fairbanks artists, painting, landscape, Alaska artists, North Gallery, trees
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GroundTRUTH | Klara Maisch

February 18, 2022 Karinna Gomez

Klara Maisch, Chugach Mountains - Painting on Location, May 2021, oil on linen, 30 x 60 inches. Ahtna and Eyak Lands, Bagley Ice Valley, Chugach Mountains, Wrangell - St Elias National Park & Preserve. Accessed via basecamp

FEBRUARY 2022
GroundTRUTH | Klara Maisch

Klara is an artist living and working in Alaska. She seasonally instructs for Inspiring Girls Expeditions and guides for Arctic Wild. Klara is passionate about transdisciplinary thinking that involves art, science, and the natural world. Her work has been featured in exhibits and commissions throughout Alaska, as well as Washington, California, and Hawaii.

Artist Statement
Over the past year I visited landscapes throughout Alaska to create large oil paintings on location. These place-based paintings highlight landscapes experiencing the effects of large-scale climate change, including glaciers, recent forest fires, and the northern edge of treeline. Sometimes the signs of change are subtle, such as the relatively simple shape of a tree consumed by a higher intensity fire. Often they are more dramatic, like a newly revealed system of ice tunnels at the toe of a melting glacier. Painting on-site is a way to be in direct conversation with these places.

I am fascinated by the processes that transform and shape an environment, and choose painting sites where I can study the patterns of these events. Each painting is constructed and deconstructed on location and anchored upright with lines or laid flat in the snow or tundra while I work. I apply oil paint in thin layers, so the painting is dry enough to roll up for transport in a few hours. I often add finishing details once I re-stretch the canvas back in the studio.

In science, "ground truth" refers to information collected via direct observation while on location. Although scientific research informs the art, the process of painting outside adds layers of awareness and connection. Traveling through a landscape requires focus and attention to detail, revealing subtleties in the surroundings that are unique to that position and instant in time. Painting outside pushes this immersion further, as I interpret the processes that shape a physical environment through the flow of lines and inferred energy in my work. 

Landscapes are a window into vast timescales and complex systems of interaction. Creating this work allows me to contemplate: How do we pay attention to our surroundings? How do we respond to transformation and change? How are we impacting the future?

The exhibit is made possible by a Career Opportunity Grant from the Alaska State Council on the Arts and the National Endowment for the Arts. The work is also supported in part by the Ma Johnson’s Historical Hotel, The Explorers Club, and Discovery.

To learn more about Klara and connect with her online, visit Klara’s website and follow her on Instagram and Facebook.


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Virtual Exhibition Tour

In Exhibitions Tags painting, plein air painting, Fairbanks artists, landscape
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