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Geologies of Memory | Jennifer Moss

May 14, 2026 Karinna Gomez

Jennifer Moss, Metamemory, synthetic polymer paints and mediums, tailored paper, digital press print, 18 x 18 inches

MAY 2026
CENTER GALLERY
Geologies of Memory | Jennifer Moss

We live in landscapes continuously shaped by geologic forces that are built upon memory. Through time, every moment on the land is collected in specks and pieces. Secrets are embedded in layers that build or sink and are made of plant and animal, dust and sunlight, wind and rain. Visual patterns emerge or are buried, like thoughts and memories and dreams that we animals have in our brief moment on earth. Symmetry, meanders, cracks, and other textures appear. They both describe order and are conduits for recollection. Unspoken languages and histories reside in these patterns. We love them for their beauty and we use them for our purposes. We mine and shape these land memories stored as peat, oil, metal and gas. We share collective memories of bright sun on the mountains, reflections in a lake, the sound of rocks tumbling down an incline, or the color of dirt. We see the shapes of this place and we are part of this place, this living and wild landscape. We will return to the dust that becomes the landforms here too. We will be absorbed into the patterns of moments in the land itself. All we are, our experience and our memories from our time forever joining with those of the land, intertwined and building this place we call home, together in a living landscape of memory.

https://jmossart.com/


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Virtual Exhibition Tour

In Exhibitions Tags Center Gallery, painting, Fairbanks artists, landscape
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Transitional Objects | Amy Meissner

April 11, 2026 Karinna Gomez

Amy Meissner, Survival Blanket: Crib Variation, 2022, vintage crocheted coverlet, vintage darning wool, acrylic yarn, reflective tape, high visibility nylon, emergency trauma blanket, 54 x 41 inches

APRIL 2026
CENTER GALLERY
Transitional Objects | Amy Meissner

My work with abandoned textiles explores the literal, physical, and emotional work of women. I’ve been a mother for two decades and it’s difficult for me to disentangle my caregiving experiences and feelings from these materials originally made by unknown mothers, aunts, grandmothers -- all caregivers as well. In the mid-20th century, a British psychoanalyst introduced the term “transitional objects” to describe chosen things that act as a bridge between child and caregiver, easing anxiety and providing emotional well-being during separation, such as a blanket or doll. The transitional objects in this space represent my overactive mothering mind, combining the ridiculous with the terrifying in an attempt, over hours and months of making, to soothe myself from worst-possible outcomes. The variations provided invite the viewer to consider other variations, or what their own object might look like. In this way, the collection explores the lineage of use value in women’s work, the literal overproduction by hand in past eras now shifting to a state of heightened emotional labor, an over-mothering just as prolific. 


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Photographs by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags Center Gallery, textile art, Anchorage artists
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A Hand Carved Story | Karen Olanna

February 19, 2026 Karinna Gomez

Karen Olanna, Waiting for the Tide, woodblock, 12 × 17 inches

FEBRUARY 2026
CENTER GALLERY
A Hand Carved Story | Karen Olanna

This show, A Hand Carved Story, was conceived after finding and printing my very old woodblocks. I corralled these old and newly carved prints into a made up storyline, which should be viewed in sequence (an extended version in book form is also available). No words are needed, as block printing remains a unique record of life through the hand's ability to express.


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Photographs by Hans Hallinen


In Exhibitions Tags Center Gallery, printmaking, Anchorage artists, nome
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Meaning of River | Marianne Stolz

November 20, 2025 Karinna Gomez

Marianne Stolz, Memories of a Meandering River, local aspen wood, plywood, acrylic paint, fire-blackened, 16 x 14 x 1.75 inches

NOVEMBER 2025
CENTER GALLERY
Meaning of River | Marianne Stolz

Meaning of River is an exhibition by woodcarver Marianne Stolz, presenting work inspired by the intricate complexity of rivers. Using traditional hand tools, she carves local wood into flowing forms, delving into the ecological importance and emotional depth of rivers. Her carvings restore the river from a burbling background noise back to the powerful, life-giving force it is. Drawing on a lifelong passion for exploring the natural world, Stolz channels her reverence for nature into each carving. This exhibit is a deep dive into the river not only as a natural feature, but as a concept: a symbol of connection, resilience, and change — flowing through every aspect of life, human and wild.

www.mariannestolz.com


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Photographs by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags Center Gallery, sculpture, Fairbanks artists, wood, landscape
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Rarefied Light | Alaska Photographic Center

October 15, 2025 Karinna Gomez

Bill Heubner, Matanuska Glacier silt and Water 3622, Pigment ink on archival rag paper, 18 x 24 inches

OCTOBER 2025
CENTER AND NORTH GALLERIES
Rarefied Light | Alaska Photographic Center

The Alaska Photographic Center (APC) is a statewide organization formed in 1983, with a mission to promote fine art photography in Alaska. Each year APC seeks out a nationally recognized artist to jury the Rarefied Light show and present a public lecture and workshop. Rarefied Light is Alaska’s largest annual fine art photography exhibition. This year we received 434 entries by 68 Alaska artists.

Guest juror Stephanie Johnson, Iowa, selected 48 photographs by 28 artists for inclusion in this year’s exhibition.

Best of Show is awarded to: Bill Heubner, Anchorage “Matanuska Glacier silt and Water 3622”

In addition, Stephanie chose 5 pieces for the Honorable Mention Award.

Julie Jessen, Eagle River, “Flash of Sunlight”
Trevor Jones, Anchorage, “Leap”
Javid Kamali, Anchorage, “No Sight, No Mind”
Harry Walker, Anchorage, “Doors, Fort Selkirk Yukon Territory”
Dennis Walworth, Anchorage, “Ice Texture”

Following the Anchorage exhibit, which ends October 31, the exhibit will travel to Well Street Art Co in Fairbanks, showing January 2 to February 2, 2026 with an opening reception January 2, 5 to 7pm. The show will exhibit at Kenai Peninsula College, February 12 to March 5, with an closing reception March 5, 4:30 to 6pm. It will travel to Matsu College Gallery, Palmer, March 20 to April 15, with an opening reception March 20, 4 to 6pm. The final show is in Valdez, at the Valdez Museum and Historical Archive, June 17 to September 8.

Rarefied Light is funded in part by a grant from the Alaska State Council on the Arts and the National Endowment for the Arts.

https://akphotocenter.org/


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Photographs by Hans Hallinen

In Exhibitions Tags Rarefied Light, photography, Center Gallery, North Gallery
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Conversations|Listening | Deborah Hansen

September 22, 2025 Karinna Gomez

Deborah Hansen, The Good Queen, earthenware ceramic, 28 x 12 x 12 inches

SEPTEMBER 2025
CENTER GALLERY
Conversations|Listening | Deborah Hansen

The topics in the show are common to human experience: Dreaming, Sorrow, Power and Justice, Life and Death. I came to think of them not just as topics of conversation, but concepts which permeate art, writing, and religion. I use an extinct language, fairy tales, and ideas I see in the news, as well as a retelling of Christ’s story, as a vehicle for conversing and listening to what is happening to us. Is the concept of Justice no longer a subject of conversation? Do we talk about Power and its use? Do we listen to our dreams? Is Christ an immigrant? Does it matter? Can we talk about it?

dlhansen.com

“Sculpting the sacred and the strange” by Victoria Barber for the Anchorage Daily News: https://www.adn.com/arts/2025/09/24/sculpting-the-sacred-and-the-strange/


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Photographs by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags sculpture, ceramics, Anchorage artists, Center Gallery
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Antithesis of Demure | Isabell Daniel and Cynthia Morelli

August 19, 2025 Karinna Gomez

AUGUST 2025
CENTER GALLERY
Antithesis of Demure | Isabell Daniel and Cynthia Morelli

This August Isabell Daniel's and Cynthia Morelli’s sculptures will be on display in an exhibit titled Antithesis of Demure at the International Gallery of Contemporary Art in Anchorage, Alaska. That's us in the picture, dancing as teacups and saucers on a summer night in Atlanta, Georgia in 1985. With this two person exhibition, we celebrate a deep and enduring friendship, born from and sustained through a shared history with clay. Our ongoing project, in which we shake up our own figure-based abstract sculpture through collaborative studio time, materials and place exchange, channels our heartfelt trust and bold playfulness inspired by each other. This is an intentional exchange based on the foundation of clay that began our forty-plus year friendship at New York State College of Ceramics at Alfred University in the 1980’s.

www.isabelldaniel.com
www.cynthiamorelli.com


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Photographs by Hans Hallinen


Portrait Series by Isabell Daniel and Cynthia Morelli


Virtual Exhibition Tour

In Exhibitions Tags Center Gallery, sculpture, ceramics, Homer artists, collaborations
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Invasive Flora, Intricate Prints | Rachel Singel

July 17, 2025 Karinna Gomez

Rachel Singel, Cicada, 2024 Intaglio on handmade paper with Oriental Bittersweet and abaca fiber, 12 x 18 inches

JULY 2025
CENTER GALLERY
Invasive Flora, Intricate Prints | Rachel Singel

My work is a response to the intricacies and depth of natural forms Lines are the building blocks of my imagery. Lines develop into curves, from curves to circles, and then to fields. As each line extends outward, the form begins to resemble how it occurs in nature: preconditioned, though subject to the elements around it. 

Beyond bringing attention to the immense complexity of the natural world, one of my primary goals as an artist is to raise environmental consciousness. I print on handmade papers made from recycled materials such as old cotton shirts and linen sheets, as well as plant fibers, especially those of invasive plants. Conceptually, the union of process and subject embodies an important metaphor for my views. I hope that making sheets by hand not only can help the environment, but also can promote sustainability. 

Rachel Singel is an Associate Professor at the University of Louisville. Rachel grew up on a small farm in Charlottesville, Virginia. She received a Bachelor of Arts from the University of Virginia in 2009 and a Master of Fine Arts in Printmaking from the University of Iowa in 2013. Rachel has participated in residencies at the Penland School of Crafts, the Venice Printmaking Studio, Internazionale di Grafica Venezia, Art Print Residence in Barcelona, Spain, Wharepuke Print Studios in New Zealand, Proyecto'ace, an Artist-in-Residence Program in Buenos Aires, Argentina, and AGA Lab in the Netherlands. She has studied non-toxic printmaking at the Grafisk Eksperimentarium studio in Andalusia and recently traveled to Japan to research papermaking with invasive plants. Her work has been exhibited nationally and internationally and represented in private collections and public institutions. 

www.rachelsingel.com


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Photographs by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags Center Gallery, printmaking
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Perusing Paris | Charles Mason

February 20, 2025 Karinna Gomez

FEBRUARY 2025
CENTER GALLERY
Perusing Paris | Charles Mason

This exhibition of street photography in Paris was made in late 2022, when my wife and I traveled there for ten days. Lisa is a walker, and I am a street photographer. This happy coincidence of our interests led us to walk ten miles a day for each of the eight days we were there. That’s eighty miles of city streets and sidewalks and museums and other public places that I was able, Leica camera in hand, to observe and photograph. All in arguably the most walkable and photographable city in the world. It was sheer photographic joy, and the work here is the result.

https://masonphotos.zenfolio.com/
https://www.uaf.edu/cla/news/2025/perusing-paris.php


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Virtual Exhibition Tour

In Exhibitions Tags photography, Fairbanks artists, Center Gallery
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Old and New: Soft, Sweet, Feathered and Furred | Christopher Judd

January 11, 2025 Karinna Gomez

Christopher Judd, Lion and Lady, graphite on Moleskine paper, 8 x 11.5 inches

JANUARY 2025
CENTER GALLERY
Old and New: Soft, Sweet, Feathered and Furred | Christopher Judd

This show is about animals. 

Mostly bears, but mainly animals.

This body of work exemplifies who I’ve become as an artist, both in technique and subject matter. I love whimsy, I love characters, and I love storytelling. All of these drawings have pieces and parts of all three loves, but more than anything they’re a simple exploration of inspiration and imagery recorded the best way I know how. 

The following is a collection of graphite drawings that I’ve created off and on over the past five years coupled with some of my work for 2024. It’s a contrast of an evolving style that exemplifies the first time everything clicked for me while drawing. 

The drawing Jackal kicked off this long relationship with animals, and it was one of the first drawings that I had ever done that I felt pleasantly surprised by. Detail, feeling, composition, lighting, and style all finally came together into a picture that was the first major success in a medium I had not spent much time on in the 3 years preceding its creation. It was a moment where exploration in other media finally came together in the first material I was drawn towards.

I consider it to be the beginning of whatever mastery I demonstrate when it comes to Graphite drawing. The rest of the show is how things have gone since then.

Instagram @dao_ofdraw


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Photographs by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags drawing, Anchorage artists, Center Gallery
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Hotter Faster Louder | Sara Tabbert

November 13, 2024 Karinna Gomez

Sara Tabbert, The Sultry Ditch, 2024, wood veneer, relief printing, 12 x 12 inches. Photo credit Sarah Lewis Photography.

NOVEMBER 2024
CENTER GALLERY
Hotter Faster Louder | Sara Tabbert

I spent much of the past summer in a long-anticipated residency, the Windgate Arts Residency Program, offered through the Museum for Art in Wood in Philadelphia. During my residency I continued my work in marquetry, using the focused time to dive into new ways to layer, carve, sandblast, and print onto wood veneer surfaces. This experimental approach is informed by my background as a printmaker, where I’ve grown comfortable with the push and pull of adding and subtracting material to create images. Marquetry is traditionally a woodworking technique of great precision. I embrace the ongoing challenge of executing at a high level, while also choosing to approach working with the material in a less precious, less predictable way.

Summer in Philadelphia was defined by intense heat, overwhelming noise, and my own disorientation as I wandered the city. I walked through unimaginable amounts of trash, wild vacant lots, and observed the march of condominiums through old neighborhoods. I delighted in the unplanned sky party of orange electrical insulators and nests of wiring, the city’s baby blue bridges, the murals, graffiti, and ornamentation. I felt the challenges and beauty of such a peopled place.

Upon returning home, I realized the visual contradictions I sought out in an urban setting are the same friction points I look for everywhere. In a city’s density, the collisions seem louder and brighter, but they are all around me at home as well. The elemental nature of delicate vines climbing an iron fence in a trash-filled lot is not that different from the lacy ice forming on the edge of a mud puddle in my driveway. There is an energy in the edges, where disparate things that don’t necessarily make sense together are found in proximity, forced into accidental coexistence.

On display are the result of such musings, meanders and focused labor. I see these pieces as records of place and travel, riddles of process, and a reflection of my cheerful curiosity during a time of accelerating tension.

This exhibition has been supported by the Museum for Art in Wood’s Windgate Arts Residency Program and by a grant from the Alaska State Council on the Arts and the National Endowment for the Arts, with additional support from Rasmuson Foundation’s Career Opportunity Grant.

saratabbert.com


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Photographs by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags Center Gallery, wood, printmaking, Fairbanks artists
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Listening to the Quiet | Cheryl Lyon

October 12, 2024 Karinna Gomez

Cheryl Lyon, Exact Spot, encaustic on wood panel, 12 x 12 inches

OCTOBER 2024
CENTER GALLERY
Listening to the Quiet | Cheryl Lyon

Listening to the quiet is about noticing what I notice when I venture outdoors through the Alaska seasons. Taking in the beautiful complexities before me. Paying attention to the light as it gracefully skips across the water or shines through the clouds.  Listening to the wind as it whispers through the trees, and gently moves around my face. As the poet Mary Oliver said about nature, “If you notice anything, it leads you to notice more and more”. I agree, I long ago embraced, I’m always painting, even when I’m not painting. I’m an observer, an explorer and an eternal student.

cheryllyon.com


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Photography by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags Center Gallery, painting, encaustic, Anchorage artists, landscape
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Inosculation | Kendra Harvey

September 12, 2024 Karinna Gomez

Kendra Harvey, No Hard Feelings, 2024, ceramic earthenware, underglaze, watercolor, glaze, housepaint on wooden backdrop, 40 x 30 x 11 1/2 inches

SEPTEMBER 2024
CENTER GALLERY
Inosculation | Kendra Harvey

Inosculation investigates the symbolism of interconnectedness, exploring both the double-edged sword which comes with it: support and codependence, enablers and detractors, isolation and community. Using earthenware clay, I depict the organic nature of these connections by sculpting a wide cast of animal figures. These familiar forms, rendered in unfamiliar colors and poses, invite viewers to observe them coil towards and away from each other, narrating the complexities of our shared human experience.

www.kendraharvey.net


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Photo credit: Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags Center Gallery, sculpture, ceramics, Anchorage artists
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3 Threads | Mariano Gonzales

August 19, 2024 Karinna Gomez

AUGUST 2024
3 Threads | Mariano Gonzales

 

NORTH GALLERY
Talismans

Have you ever had your identity stolen? Your money? Have you ever been hacked or your bank account and identity compromised? I certainly have!

Talismans are supposed to protect the user/wearer from bad luck or calamity. The talismans I have made will (hopefully) protect the wearer from evil stuff that happens in our digital world.

These talismans have wall mounts so that they can function as Art…not just live obscurely in a jewelry box in the bathroom!

WARNING: Should you purchase a talisman and find that it doesn’t protect you, no refunds!


CENTER GALLERY
Killer Drones

Look at the faces of the killer drones. Look at the faces (or bodies) of their victims.

Think about the killer drones’ racism, misogyny, homophobia, love of assault weapons, and hatred for others not like them.

This is the country and world you live in.

Protect yourself and your fellow human beings!


SOUTH GALLERY
Landscapes

I am an artist who has lived in Alaska for 65 years, though I am far from an Alaskan artist!

I am consistently visually fascinated with the beautiful and amazing land mass that is this state.

As well, having driven through every state in this nation (except Vermont and Hawaii) and Canada, I also have memories of the many wondrous landscapes outside of Alaska.

So, I am always exploring alternative media and imagery to create landscapes from memory.

These days, I find that digital tools and media offer the quintessential alternatives!


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Photo credit: Hans Hallinen/IGCA


Virtual Exhibition Tour

In Exhibitions Tags Anchorage artists, digital art, installation, mixed media, North Gallery, South Gallery, Center Gallery
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What Good is Fruit that is not Sweet? | Young Kim

July 16, 2024 Karinna Gomez

Young Kim, Imported Fruit, archival pigment print

JULY 2024
CENTER GALLERY
What Good is Fruit that is not Sweet? | Young Kim


"What Good is Fruit that is not Sweet?" is a photography project documenting the life of my mother as she ages and confronts changes in her health and mobility. It explores our relationship as parent and child and how roles shift as time persists. These circumstances also pose the questions of whether we can quantify or qualify how good a person is at fulfilling a societal role and whether the romanticization of the “American Dream” can influence those parameters. 

These images aim to celebrate daily life with an emphasis on my interpretation of events and with less rigidity around how the events unfolded. This body of work utilizes the indexical nature of photographs to world-build, create and preserve a past that is nostalgic and reminiscent, regardless of whether it is factual.

www.young.kim
Instagram: @theyoungkimosabe


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Virtual Exhibition Tour

In Exhibitions Tags photography, Anchorage artists, Center Gallery
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Share The Load | Myesha Callahan Freet

June 18, 2024 Karinna Gomez

JUNE 2024
CENTER GALLERY

Share The Load | Myesha Callahan Freet

Share The Load focuses on the ritualistic acts of motherhood by examining what we are attached to, and what we can detach from. I am interested in the common ground that can be found in keepsakes saved by others. This is a call to mothers to release items they have been saving from their children's past with the knowledge they will not be returned. The project questions why the items are kept, why we place emotions on items, what will happen to the items in the future, and who are the keepsakes ultimately for.


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Virtual Exhibition Tour

In Exhibitions Tags photography, Center Gallery, Alaska artists
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3-16-20 | Joe Carr

May 9, 2024 Karinna Gomez

MAY 2024
CENTER GALLERY
3-16-20 | Joe Carr

We all experienced 2020 in different ways. This exhibition documents decontamination efforts for covid-19 from March 16 to December of 2020 from the perspective of the service technicians.


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Virtual Exhibition Tour

In Exhibitions Tags Center Gallery, photography, covid-19
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Guided by Voices | Scott McDonald

April 16, 2024 Karinna Gomez

Scott McDonald, Love charm (ex-voto) 1, 2024, mixed media on synthetic paper, 11 x 14 inches

APRIL 2024
CENTER GALLERY
Guided by Voices | Scott McDonald

What I do best is keep working and letting things happen. I called this show Guided by Voices because that’s sort of how the process works. I work intuitively and I try not to second guess my intuition. To me, being an artist means working in private and letting things happen–finding surprises, experimenting, showing up, not mediating, not censoring. It also means being vulnerable and presenting what happened.

scottmcdonaldart.com


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Virtual Exhibition Tour

In Exhibitions Tags Anchorage artists, painting, printmaking, oil, Center Gallery
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The Animals Within | Amy Schilling

February 11, 2024 Karinna Gomez

FEBRUARY 2024
CENTER GALLERY
The Animals Within | Amy Schilling

Within society we are taught that expressing too much of our inner workings is shameful. We must hide all the ugly parts of ourselves in a dark room, paint our faces, and show to everyone we are happy, and healthy. When the darkness comes creeping out, there are hushed tones and changes of the topic. In my experience growing up, there was always this creature hidden in the shadows, not knowing what that feeling is and why it haunts me. Many people grow up also not understanding what lurks inside them. I was told that that's life, suck it up, and carry on despite the pain of this invisible force weighing down, crushing you. For so long mental health issues weren’t taught or discussed. It has put isolating barriers up in relationships with family and friends. After years of walls built up around me, I have torn them down piece by piece. I made myself be raw with my emotions with my loved ones. Through sculpting with ceramics it has allowed me to depict for them how things feel. I have been able to process and come to terms with my own experiences and be better understood by those I care about.

This exhibition documents the struggles and invisible feelings we fight with everyday. I’m able to portray the many aspects of mental illness with animals as subject matter by utilizing their characteristics and animalistic nature that is unique to that species. I silhouette each of these animals in an ornate frame, in order to highlight the beautiful parts of ourselves that we have survived through, almost like a trophy of what we overcome. Through my work I hope to initiate an open discussion about what is considered a taboo topic. Invoking specific emotions that others might not understand, to bring people together to be vulnerable and raw with their struggles, feelings, in order to realize they aren’t alone and it isn’t something to be ashamed about.

@talentedterror

Purchase sculptures here


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Photos by Hans Hallinen


Virtual Exhibition Tour

In Exhibitions Tags Center Gallery, Anchorage artists, sculpture, ceramics, mental health
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Random Chaos, Guilty Pleasures and The Garden of Earthly Delights | Stephen Gray

November 13, 2023 Karinna Gomez

Stephen Gray, Roogalator, mixed media

NOVEMBER 2023
CENTER GALLERY
Random Chaos, Guilty Pleasures and The Garden of Earthly Delights | Stephen Gray

In my current body of work I have used contemporary and nostalgic toys reconfigured to form strange new creations. Stuffed animals and mechanical toys have been disassembled and rearranged in order to transform them into a new mythology. The cartoonish nature of these materials lends itself to the creation of an imagery that can be both humorous and perverse. Stylistically the work is in the tradition of comic grotesque. The grotesque functions as a metaphor for the incongruous nature of the human condition, comedy says that which is true that you would do anything to deny is true. A subversion of an idyllic vision of nature, the beautiful and the ugly, the humorous and the tragic are inextricably interwoven, creating associations that exude a fascination with a world that explains itself in contradiction.


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In Exhibitions Tags Center Gallery, Anchorage artists, Alaska artists, sculpture, installation
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